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Basquiat Boom for Real at the Barbican Centre - November 2017

Basquiat

FREE OF CHARGE

Description

•Date: 08/11/17
•Time: 16:00 (meet at Brighton Station 13:20)
•Location: Barbican Centre, London
•Places: 5

Basquiat: Boom for Real is the first large-scale exhibition in the UK of the work of American artist Jean-Michel Basquiat (1960—1988).

Basquiat, a famously self-taught artist, sampled from an extraordinary breadth of source material, from anatomical drawings to bebop jazz. This is the first exhibition to focus on the artist’s relationship to music, text, film and television, offering new research that will enable some of his most acclaimed paintings and drawings to be understood as never before.

Our enhancement activities are totally free to Foundation Year students. Tickets and transport from Brighton will be provided.

 

Detailed Description

Drawing from international museums and private collections, Basquiat: Boom for Real brings together an outstanding selection of more than 100 works, many never before seen in the UK, including a partial reconstruction of the first body of work that Basquiat exhibited, made for Diego Cortez’s watershed group show New York / New Wave at PS1 in 1981.

A pioneering prodigy of the downtown New York art scene, Basquiat came to the media’s attention in 1978 when he teamed up with his classmate Al Diaz to graffiti enigmatic statements across the city under the collective pseudonym SAMO©, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s where the hip hop, post-punk, and street art movements had coalesced, before swiftly becoming one of the most celebrated artists of his generation.

Basquiat's art focused on "suggestive dichotomies", such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a "springboard to deeper truths about the individual", as well as attacks on power structures and systems of racism, while his poetics were acutely political and direct in their criticism of colonialism and support for class struggle.

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